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Tag Archives: red eames lounge chair and ottoman

Despite the dearth of new content on teakhound, Cam and I are still hunting. In fact, we found some really great pieces lately, including a pair of Borge Mogensen Spanish chairs, Richard Schultz pieces from the 1966 Collection, and even an ottoman to match our Saarinen Grasshopper chair. However, our most impressive find to date is this very early example of the Eames 670/671 lounge chair and ottoman, dressed in red leather over rosewood shells.

Note the sheen across the leather – this is high quality, vintage leather. They literally do not make leather like this anymore, as the chemicals necessary to create thick, supple, smooth leather like this were banned in the U.S. and in many foreign countries by the early 1990s. The best analogy I have for this chair is a vintage Ferrari skinned in proper Connolly leather hides.

In the 1920s, a boy was born to an orthodox Jewish family in Omaha, Nebraska. Upon completion of medical school, our protagonist – now a man – completed his residency at the Mayo Clinic and practised medicine in New York before moving to Los Angeles. While in LA, he married a gentile, and the couple soon settled in Palo Alto, California where they raised two boys of their own in a massive,

Queen Anne-style home built on a budget following a decline in local housing prices in 1907. In the 1950s, upon seeing an Eames lounge on television, our protagonist made arguably the only impulsive decision of his life by ordering his very own Eames lounger. It arrived some time later and was installed permanently in his private office, thus isolated from his boys. In fact, the lounger remained in that office for well over fifty years, well past the death our protagonist, and was not removed from the office until the recent death of his wife.

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A New Living Room Layout

I have been lucky enough to meet a great new friend in the Rochester, NY area- designer Christy Kisha just relocated from NYC back here to be closer to her grand babies. We met on the off chance that I responded to her Craigslist add for her Restoration Hardware sofa, and we became fast friends! She is been gracious enough to help me overcome the many obstacles I have been having with my living room.

Previously, my living room looked like this:

Changing the layout to something like this…

Sooo…yes- I am the worst rough sketch artist ever- I already know that. We moved the couch so that it faces the fireplace. I redrew the fireplace to how we plan on resurfacing and adding the firewood storage on the right. We plan on using our light blue zebra striped chairs in our master, and adding some sofa chairs with more substance, perhaps an ottoman inbetween, a leather chair (or our Eames chair) to the right of the sofa for extra seating.

I have not decided yet, but either a concrete planter or a wicker planter to the right of the right sofa chair with a plant- maybe a skinny floor lamp? I found a white laquer sofa table with heavy feet for behind the sofa. I did love to put a wire stool underneath with one of my french baskets layer with tassled blankets. Lastly, we contemplated changing out my coffee table for a lucite one to open everything up, but I put my hammered silver, circle tray on it, and layered different height glass cylinders filled with votives, and it lifts the coffee table up tremendously! Stack some books and a tray with a plant, and it is perfect!

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An ethos of functionalism informed all of their furniture designs.

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Gorgeous Marin Lounge Chair – 3D Model

If you are a subscriber to FormFonts 3D Model Library ($329 for 24 months) we will make bespoke models for your design project. Simply Request a 3D model and provide reference data, and if we think other subscribers will use it.. Voila! This model was created for an interior designer is thesis project. 3D Models on demand, by FormFonts 3D!

Ray Eames by Matt Scorte

Ray Eames, also known as Bernice Alexandra Kaiser, was a painter who was well known for being part of the duo known as Ray and Charles Eames along with her husband. She studied in New York along with the abstract expressionist, Hans Hofmann, where she would also be a founder of the American Abstract Artists group. She would then move to Cranbrook, Michigan where she would meet Charles and where the legacy of Charles and Ray Eames would start. For the most part, a lot of the work the Eames Office made was made through the partnership of Ray and Charles. They created famous chairs, films, and even designed their own home. but both of them had a strong input into each project. Though they were a duo, there were some characteristics that Ray brought to the table that complimented would the architectural mind of Charles in different ways.

Ray Eames was trained as a painter, but she was also much more than that. She would be quoted for saying, “I never gave up painting, I just changed my palette.”[1] Though one of her paintings is in the permanent collection at The Whintey Museum of American Art, she was a painter who rarely painted. She would taking on other roles such as a graphic artist, filmmaker, and furniture designer. Despite her legacy being tied so strongly to her collaborative work. Ray still maintained a sense of individuality when it came to her artistic work. She brought the “painters” way of seeing and interpreting things to the team.

It was said she has an

“exceptional visual acuity and memory”

as well as having an obsession

with the “choice of color.

material, or even the basic form

of a piece of furniture that led to

the pleasing overall result.” [2]

Apart from the collaborative. Ray designed 26 posters for the Arts and Architecture Magazine,’ between 1942 and 1948. She also did many of the Herman Miller advertisements that were for the Eames furniture they were designing.[3] This can be attributed to the painting background she previously possessed. She would also work on a lot of other graphical work such as posters, timelines, game boards, and business cards.

She is also well know for creating

many textiles, two of which won awards

at competitions organized by MoMa, the

“Crosspatch” and “Sea Things” patterns. [4]